I’ve gotten bad keys from the studio before, usually when we were doing advanced screenings. It was a relatively quick fix… I think the longest delay was ~15 minutes. I never had to cancel a show because of it, certainly didn’t have to close the entire building.
For as much as I loved the convenience of digital, I really miss the days of 35 film.
I agree that moving to digital saved so much time, and I’ll never miss brainwraps or thrown platters… but working booth shifts threading projectors were some of the happiest times I had running theaters.